The real voyage of discovery consists not of seeking new landscapes but in seeing with new eyes.
- Marcel Proust
from La Prisonnière (The Captive), 1923
via Andrew Parker
successor to Thinkige Kru whose feed doesn't seem to be working properly for reasons unknown - the old blog + archive remains here https://thinkigekru.blogspot.com/ -^^^^^^^^^^^^^^^^^^^^^^^^^vintage thoughts from others, vintage thoughts from me - varying degrees of profundity - thoughts quoted for the turn of thought / phrase rather than for truth value - quoted not necessarily because i agree with them or approve of them - i don't necessarily agree with my own past thinkiges!
“Where does it come from, this sickliness? For man is more sick, uncertain, changeable, indeterminate than any other animal, there is no doubt of that — he is the sick animal: how has that come about? Certainly he has also dared more, done more new things, braved more and challenged fate more than all the other animals put together: he, the great experimenter with himself, discontented and insatiable, wrestling with animals, nature, and gods for ultimate domination — he, still unvanquished, eternally directed toward the future, whose own restless energies never leave him in peace, so that his future digs like a spur into the flesh of every present — how should such a courageous and richly endowed animal not also be the most imperiled, the most chronically and profoundly sick of all sick animals?”
― Friedrich Nietzsche, On the Genealogy of Morals
"My discovery of Tarkovsky's first film was like a miracle. Suddenly, I found myself standing at the door of a room the keys of which had, until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease. I felt encouraged and stimulated: someone was expressing what I had always wanted to say without knowing how. Tarkovsky is for me the greatest, the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream." “When film is not a document, it is dream. That is why Tarkovsky is the greatest of them all. He moves with such naturalness in the room of dreams. He doesn’t explain. What should he explain anyhow? He is a spectator, capable of staging his visions in the most unwieldy but, in a way, the most willing of media. All my life I have hammered on the doors of the rooms in which he moves so naturally. Only a few times have I managed to creep inside.”
Ingmar Bergman on Andrei Tarkovsky:
Green Gartside, Smash Hits, June 1982.